Dr. phil., Universität Zürich
Specialised Master of Arts in Music Performance, Schola Cantorum Basiliensis 
Master of Arts in Music Performance, Schola Cantorum Basiliensis
MMus., King's College London
B.A. in Music (Hons.), CUHK
FRSM (Dist.), LRSM (Dist.), LTCL (Dist.) 

Basel-based performer and musicologist Fiona Kizzie Lee is frequently praised by critiques for her exceptional versatility, demonstrating equal artistry on recorders—including pipe and tabor and double recorder—and early keyboard instruments such as organetto and clavisimbalum. She is the director of the award-winning Ensemble Pampinea, with which she has developed innovative and research-informed concert programmes. Her performances have taken her across Europe and beyond in Switzerland, the United Kingdom, Germany, Poland, Czechia, Slovenia, Italy, Lithuania, Austria, the Netherlands, and Canada. Under her direction, her ensembles have received international acclaim, winning First Prize at the London Early Music Young Ensemble Competition and becoming finalists at the Musikfestspiele Potsdam Sanssouci in Germany and the International Young Artists Competition in England. 

Alongside her performing career, Lee is an active educator and speaker in the field of early music. She has taught at the Renaissancemusikwoche in Sondershausen (Germany) and the International Summer School of Early Music in Valtice (Czech Republic), as well as given guest lectures and workshops at the Education University of Hong Kong, the University of Calgary, and the Ljubljana Academy of Music.

A Scholar of The Jockey Club Music and Dance Fund and The UZH Candoc Grant, Lee combines artistic excellence with meticulous scholarship. She obtained two Master’s degrees in Medieval/Renaissance recorder and early keyboard performance in the class of Corina Marti at the Schola Cantorum Basiliensis in Switzerland. Her doctoral dissertation, “15th-Century Central European Keyboard Tablatures in Context,” was awarded summa cum laude at the University of Zurich.

Ensemble Pampinea: www.ensemblepampinea.com



旅居瑞士巴塞爾的演奏家暨音樂學者李芷晴博士Dr. Fiona Kizzie Lee 以其卓越的多元演奏能力廣受樂評讚譽。她擅長演奏多種笛子，包括各類直笛、單手笛與鼓（pipe and tabor）、雙直笛（double recorder），亦專精於中世紀與文藝復興時期鍵盤樂器，如小型風琴（organetto）與擊弦鍵琴的前身 clavisimbalum，擅長以不同樂器展現細膩而鮮明的音樂詮釋。

李博士現為屢獲國際獎項肯定的 Ensemble Pampinea藝術總監，致力於策劃兼具學術深度與藝術創意的音樂會。她的演出足跡遍及瑞士、英國、德國、波蘭、捷克、斯洛維尼亞、義大利、立陶宛、奧地利、荷蘭、加拿大及亞洲各地，活躍於國際古樂舞臺。在她的帶領下，樂團榮獲 2022 年倫敦古樂青年合奏比賽（London Early Music Young Ensemble Competition）首獎，並獲邀參與 2026 年安特衛普國際青年藝術家展演（International Young Artist Presentation），廣受國際藝壇矚目。

除演奏事業外，李博士亦積極投入早期音樂教育與學術推廣，曾任教於德國松德斯豪森文藝復興音樂週（Renaissancemusikwoche in Sondershausen）及捷克瓦爾季采國際早期音樂夏季學校（International Summer School of Early Music in Valtice），並受邀至香港教育大學、加拿大卡加利大學及斯洛維尼亞盧布爾雅那音樂學院舉辦專題演講與工作坊，分享其演奏實踐與研究成果。

身為香港賽馬會音樂及舞蹈信託基金（The Jockey Club Music and Dance Fund）及蘇黎世大學 Candoc Grant 獎助計畫的獲獎學人，李博士始終致力於融合演奏與研究，為藝術實踐與學術探索之間建立獨特橋樑。她畢業於瑞士巴塞爾古樂學院（Schola Cantorum Basiliensis），取得中世紀／文藝復興直笛演奏及早期鍵盤樂器演奏雙碩士學位，並於蘇黎世大學取得音樂學博士學位。